This week, head down to National Gallery Singapore to check out one of the most culturally significant shows currently on. Titled Nothing is Forever: Rethinking Sculpture, it is the first major sculpture exhibition here in 30 years. Details below.
The latest blockbuster at National Gallery Singapore looks to be a treat for those into three-dimensional art. Titled Nothing is Forever: Rethinking Sculpture in Singapore, the show is significantly the first major sculpture exhibition here in 30 years. If one stops to think about it, the Singapore landscape is riddled with sculptures – from the benign types that dot shopping malls and corporate offices to iconic ones like Chong Fan Cheong’s bronze boys leaping into the Singapore River.
But if you’re thinking the show is made up of all ceramic or bronze pieces, the show seeks to present a different perspective to how we understand sculpture as an artform. For starters, the name of the show is taken from a quote by legendary Singapore artist Tang Da Wu (the co-founder of Singapore’s first independent arts colony, The Artists Village, in 1988) – Tang expanded the notion of sculpture by including ephemeral elements such as light, wind, and rain as materials as part of what constitutes sculpture – a far cry from “traditional” materials such as bronze.
Other sculptures from the show include the use of everyday objects, such as Lim Leong Seng’s New Era (1976, remade 2022), a column of air-filled plastic bags attached to a string and suspended from the ceiling of The Spine Hall, as well as funerary artefacts recovered from Bukit Brown Cemetery.
July 29 to Feb 5, 2023 at National Gallery Singapore
Tagore Lane in the north of Singapore is an area as industrial as they come but over the past year or so, two independent spaces – Starch and Supperhouse respectively – have been putting on really interesting multi-disciplinary shows. Currently on show at Supperhouse is The World Is Flat After All, curated by founder Ashley Chiam, which explores the “flattening” of the world.
The show features a wide variety of fashion pieces and artworks to illustrate how the world has been flattened – some literally, others figuratively – there’s a heavy focus on Comme des Garcons’ popular Fall/Winter 2012 collection (beloved for its pointed statement on today’s “flat” culture and aesthetic), many pieces of which belong to Chiam himself and other Comme des Garcons collectors.
Other works in the imaginative show include pieces by local and international artists that comment on social media, the endless demand to produce content and widespread surveillance culture today (flattening of our privacy, geddit).
On now till August 21 at #04-03 TG Building, 222 Tagore Lane
Now here’s a furniture shop that’s doing something different – homegrown store Journey East’s latest project sees the shop becoming an experimental platform of sorts for Singapore-based designers to push the limits in creative expression. Here’s how: Its latest launch Floorish (the store’s first Persian rug collection) sees Rafiq Mohamad, the creative director of Feral agency, bringing together a group of local graphic design studios to come up with custom creations for the rugs.
The three studios involved (Studio Ensemble, Studio Grain and Studio Hafi) based their designs on things that are alternately esoteric, fun or familial. Studio Hafi for instance, drew on memories of a childhood steeped in Javanese and Malay traditions, evocative of the warmth of going to one’s grandparents’ home, also known affectionately as “rumah nenek”.
Studio Grain’s version (pictured) is based on the essay Return to Tipasa by French philosopher Albert Camus, while Studio Ensemble’s work is a playfully pixelised take on tropical fruits familiar to our palates like durians and watermelons; here’s hoping we see more projects along this vein in future.
Available for viewing at Journey East, #03-02 Tan Boon Liat Building