Into its seventh edition, the Dior Lady Art project invites artists across borders and disciplines to put their own spin on one of the most beloved bags in the Dior stable: the Lady Dior. In boutiques this coming January, this latest instalment has resulted in 27 limited-edition styles, each painstakingly made over on the exterior as well as inside. We single out some of the most noteworthy designs and the names behind them.
Over a career spanning more than six decades, American artist Dorothy Iannone has made a name for herself with her autobiographical drawings, paintings and sculptures that typically showcase colourful expressions of female sexuality. For Dior Lady Art, she’s reinterpreted the Statue of Liberty into an exuberant trio of figurines – each wearing a different outfit – and set it against a patchwork of stars and stripes on the M-sized tote, and all-over sequins, beads and embroidery on the black patent mini version.
Qatari artist Bouthayna Al Muftah is known for archiving her country’s traditions through abstract, contemporary means. Her Lady Dior is shrouded in slips of chiffon hand-embroidered with typography to evoke a historical manuscript and the emotions of going through one.
People and their everyday moments lie at the heart of rising art star Alex Gardner’s practice, but – get this – they’re often faceless. The American has often talked about wanting his anonymous figures to be relatable and universal, explaining his omission of facial expressions and focus instead on small, tender details such as gestures of the hand or feet. His Lady Dior draws from one of his paintings that depict the moment a palm touches a piece of fabric with holographic leather and figurative stitching lending a three-dimensional look and feel. Adding intrigue is an unexpected flame-red interior – what Christian Dior used to call “the colour of life”.
You’ll know a Shara Hughes painting when you see one. The Atlanta-born artist subverts traditional landscape paintings with ultra-vibrant colours and surreal patterns to create a sense of the uncanny. Clock her two Lady Diors that act as both canvas and frame for her imagined scenescapes – one in lush red velvet and the other embroidered with 1,000 muslin flowers.
The moon has long fascinated Wang Yuyang with its popularity in Chinese mythology, and the multidisciplinary Chinese artist seeks to make it his own through psychedelic renderings of the satellite. Created using the likes of iridescent leather, a woven jersey fabric with a 3D-like relief, and plenty of embroidery, each of the five Lady Diors he has reinvented showcases a different – and utterly mesmerising – side of the moon.
Canadian artist Sara Cwynar’s image-based practice should strike a note with wistful Millennials: She’s interested in how images change in value and meaning over time and often incorporates materials such as vintage advertisements and retail catalogues. Think of her two Lady Diors – one in red leather and the other, transparent PU with a yellow base – as miniature exhibitions in themselves with their quilted cannage finish forming the backdrop to photos dating between the 19th century to today that she had found off the Internet.
Fans of Surrealist works will take to American painter Brian Calvin’s renditions of the Lady Dior: A mini and medium model in raffia featuring his signature abstract close-ups of women’s faces. Ornate beading and sequinned embroidery add both tactility and collectability, while a pink cotton interior ups the delight.
Animals, flowers and children are the main inhabitants of French artist Francoise Petrovitch’s mixed-media works, which tend to exude child-like energy alongside undertones of something darker, capturing the dualities of reality. For Dior Lady Art, she’s introduced one of her favourite motifs – that of a bird – to three bags: two as protruding leather appliques (one appears to be mid-flight; the other, asleep) and another as an oversized metallic charm.
Russian textile artist Zhenya Machneva is known for using tapestry to conjure up buildings and landscapes from the Soviet Union’s faded glory days. Each of her three Lady Dior bags is adorned with hand-embroidered architectural forms meant to reflect the role of women in society, as well as their strength and the weight of demands placed on them.
Ghada Amer is the first Egyptian artist to participate in the Dior Lady Art project, and she’s an apt choice. The famously feminist artist is beloved for her colourful embroidered canvasses that make it a point to celebrate female sexuality, and she’s translated that vision onto two bags. Both feature a kaleidoscopic patchwork of embroidery, precious stones and sequins with words of encouragement such as “strong”, “resilient”, and “loving”. Look out for the smaller model in particular, which sports a singular change to the Dior charm that accompanies each Lady Dior: Instead of the brand’s name, it reads Ghada.
This article first appeared in the Dec 2022 Love Edition of FEMALE